News

  1. 01. THE ART AND ITS SURROUNDINGS (XLIX)

    Artwork by Matías Sánchez. “La isla”, 200×200 cm. His artistic work is a factory of ideas that feeds on reality. (Fernando Francés).

  2. 02. THE WORK AND ITS ENVIRONMENT (XLVIII)

    Artwork by Hugo Pitti. Oil on canvas. “Madam Butterfly”.
    Hugo keeps surprising us with his artwork: magical, fantastic, big…

  3. 03. THE WORK AND ITS ENVIRONMENT  (XLVII)

    Artwork by Carmen Cólogan
    Oil on wood
    Our sheltered paradise.

  4. 04. INSTALLATION

    Installation by Ana Brígida “Redeemed nature”. A rich artwork because of its descriptive content that, at the same time, informs and delights us.

  5. 05. THE WORK AND ITS ENVIRONMENT (LXVII)

    Art by Hugo Pitti. Oil on canvas
    “Don Clavelón”. New work in the Galería García de Diego.

  6. 06. THE WORK AND ITS ENVIRONMENT (LXVI)

    “Redeemed Nature”
    Artist: Pedro Fausto. Oil on wood.
    Force of attraction of our environment. Landscapes supported on geometric structures, volumes, lines and colours.

  7. 07. THE WORK AND ITS ENVIRONMENT (LXV)

    Brilliant work by Ilidio Candja Candja, oil on canvas. 130 x 130

  8. 08. THE WORK AND ITS ENVIRONMENT (LXIV)

    Emotional refuge.
    Sweet disconnection.
    Exercise of wisdom.

  9. 09. THE WORK AND ITS ENVIRONMENT (LXIII)

    Artist César Rodríguez.
    Moments, still lifes, enveloped in an atmosphere that is strengthened by the use of a condensed colour palette.
  10. 10. THE WORK AND ITS ENVIRONMENT (LXII)

    Artist Carmen Cólogan
    Irrealism, concept with which the author identifies her painting.

  11. 11. THE WORK AND ITS ENVIRONMENT (LXI)

    Artwork by Hugo Pitti
    “Don Clavelón” oil on canvas
    New works in the gallery.

  12. 12. OPENING REDEEMED NATURE

    Moments from the opening of “Redeemed Nature”.

  13. 13. THE WORK AND ITS ENVIRONMENT (LX)

    Ilįdio Candja Candja, african artist, native of Mozambique, resides in Porto (Portugal). Nostalgic echoes of tradition, but leaving space for elements of actual culture.

  14. 14. SPACES TO LOOK AT (V)

    Contemporary creation.

    Painting and sculptures.

    Experimenting is ok, but being coherent and sensible with the environment.

    Exhibition opening Saturday 16th June.

  15. 15. EXHIBITION “REDEEMED NATURE”

    Colour, freshness, light….

    Artworks by Ana Brígida and Ilídio Candja Candja.

  16. 16. REDEEMED NATURE

    Artwork by David Méndez.

    Coming in always offers emotions.

  17. 17. NEXT EXHIBITION

    “Redeemed Nature”

  18. 18. THE WORK AND ITS ENVIRONMENT (LIX)

    Lothar Brix. Title “Buenas noches”.
    This personal affinity makes me like his artwork.

  19. 19. NEXT EXHIBITION

    “Redeemed Nature”

  20. 20. SPACES TO LOOK AT (IV)

    Lothar Brix.
    His work include shapes, signs, graphic elements… everything to express emotions.
  21. 21. PLACES TO LOOK AT (III)

    The Galería García de Diego is spacious and luminous and allows us to create “aesthetically pleasing spaces”.33358121_1780075915445679_4338330071799431168_o33584416_1780076152112322_6951264952074108928_o

  22. 22. THE WORK AND ITS ENVIRONMENT (LVIII)

    The Gallery contributes our warm regard of art.IMG_20180523_205008IMG_20180523_205340_HHT (1)

  23. 23. PLACES TO LOOK AT (II)

    Sculptures by Lothar Brix.
    There is always something to discover, something that teaches you, something that surprises you.

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  24. 24. THE GALLERY

    Practice with your gaze.
    “There is no age limit to start a new adventure, the only thing that’s needed is a curious and young intelligence.”
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  25. 25. THE WORK AND ITS ENVIRONMENT (LVII)

    Compatible with the environment?
    Let’s think about the environment that surrounds us and the obligation we have about improving our behaviour.

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  26. 26. UNIVERSAL LANGUAGE (II)

    Work, Ana Brígida. Oil on canvas
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  27. 27. THE WORK AND ITS ENVIRONMENT (LVI)

    Compatible with nature?
    We have to think about the landscape that surrounds us and the obligation to improve our behaviour.
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  28. 28. UNIVERSAL LANGUAGE

    Landscape. Oil painting by Ana Brígida
    Not everything goes! Collecting art means selecting what you like.
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  29. 29. A SHARED PASSION

    Artwork by Matías Sánchez. Oil painting.
    Authentic social themes from La Palma; humorous, cheerful and colorful.
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  30. 30. ART IS ABSTRACTION (II)

    “The sound of his thoughts”

    Art by Lothar Brix
    Mixed media.

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  31. 31. ART IS ABSTRACTION

    Art by Lothar Brix.

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  32. 32. STIMULI AND EMOTION

    Two words to live by.
    Artist: Ildefonso Aguilar
    A personal language, a singular discourse that makes him different.

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  33. 33. THE WORK AND ITS ENVIRONMENT (LV)

    Author: Ana Brígida. Oil
    The art that excites, that of the places worth knowing.

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  34. 34. THE WORK AND ITS ENVIRONMENT (LIV)

    Artist Lothar Brix
    A quiet work but with unique visual effects.
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  35. 35. SPACES TO LOOK AT 

    Artist: Lothar Brix
    “De viaje”. 80 x 60 cm.
    A date with the best international contemporary art.
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  36. 36. THE WORK AND ITS ENVIRONMENT (LIII)

    The art with which we live. Acquisition Candelaria Rguez.
    Modern and balanced, with expressiveness and strength.

    Painting “Caribe” by Matías Sánchez. Sculpture Hugo PittiIMG_20180416_213857_HHT (1)IMG_20180418_114729

     

  37. 37. THE WORK AND ITS ENVIRONMENT (LII)

    The art that we admire, that makes us vibrate is the art that captures us.
    Artwork by Hugo Pitti. “La musa del arte”.

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  38. 38. THE WORK AND ITS ENVIRONMENT (LI)

    Major works that coexist with installations, sculptures and other paintings.
    Work of Lothar Brix

    .

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  39. 39. THE WORK AND ITS ENVIRONMENT (L)

    Artwork by Lothar Brix
    It combines figuration and abstraction. The treatment of the material or use of gesture personalizes his work.

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  40. 40. THE WORK AND ITS ENVIRONMENT (XLIX)

    Conceptual artist, LOTHAR BRIX, his paintings stimulate sensations.
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  41. 41. THE WORK AND ITS ENVIRONMENT (XLVIII)

    Artwork: Ildefonso Aguilar” Paisajes Audibles l”. 182 x 182 cm.
    It is a mixture between a simple aesthetic with character and meditation. 29871987_2063764553879043_243705469530433530_o30073183_2063764520545713_5145309242201123104_o
  42. 42. ERWIN HECKMANN, SCULPTOR

    A small and hidden place, a favorite of artists with a taste of the authentic, captivates their tranquility to create and rest.

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  43. 43. FANTASY AND INTUITION

    Obra Lothar Brix
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  44. 44. THE WORK AND ITS ENVIRONMENT (XLVII)

     Work by Lothar Brix “narrative abstraction”.
    In the work, the colour is depending on the subject.
    The expressiveness of approaches, that are as extensive as they are disparate, is shown on the canvas.
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  45. 45. EASTER

    Artist: Hugo Pitti. Artwork: Pasión y Crucifixión (Triptych)
    Reinterpreted biblical descriptions, where the artist finds inspiration in the source and the texts and adds his own thoughts and iconography.

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  46. 46. THE WORK AND ITS ENVIRONMENT (XLVI)

    Author: Hugo Pitti.
    A divine artwork. Title “Ecce Hugo”.

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  47. 47. ARTIST LOTHAR BRIX

    The artistic compositions and their material qualities, confer singularity, depth and great aesthetic reach.
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  48. 48. THE WORK AND ITS ENVIRONMENT (XLV)

    LotharBrix exhibits his work until the end of May. A large-scale artistic body of work; accompanied by painting and sculpture.

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  49. 49. LOTHAR BRIX II

    The artist Lothar Brix talks abut his art, his best and most recent works. An original and delicate exhibition… small pieces of art.28700759_2051344035121095_5419610079502788397_o28700889_2051343845121114_8991729072141292317_o28828218_2051343981787767_1557946753688314790_o

  50. 50. LOTHAR BRIX

    On Thursday evening was the opening of the exhibition Partitura Alegre from the artist Lothar Brix: painter, sculptor and composer. The Chamber Choir Llanensis sang two compositions by the artist.
    The Gallery thanks the artist, the choir and the public for their presence at the opening
  51. 51. VISIT TO ARCO 2018

    The team of the Gallery Galería García de Diego visits the Art Fair Arco 2018 in Madrid

  52. 52. THE WORK AND ITS ENVIRONMENT (XLIV)

    Artist: Ildefonso Aguilar. Horizontes 8. 2017. Digital Giclée print with pigmented inks Hahnemuhle paper / 35 x 105 cm.
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  53. 53. IMAGES OF THE GALLERY

    Photo by Tobias Bülow
    A combination of landscaping, luminous art and installation.
    In the creative trajectory of the gallery, the relationship between nature and art has always been investigated. In this case a vision of the classic to talk about climate vulnerability and denounce the consequences of human activity.
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  54. 54. THE WORK AND ITS ENVIRONMENT (XLIII)

    Ildefonso Aguilar special artist, universal artist. Exquisite plastic balance, identified by the texture and colour of the materials.
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  55. 55. THE WORK AND ITS ENVIRONMENT (XLII)

    Painting by MatíasSánchez.
    Words of the artist: “Paintings are to be looked at, not to tell about”
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  56. 56. THE WORK AND ITS ENVIRONMENT (XLI)

    Images from the G. de D. Gallery
    The learning through the artistic experience, provides, an “interior” growth difficult to reach by other means; the sensitivity “touched” by the aura of art makes us better people.
    Fotos: Tobias Bulow

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  57. 57. THE WORK AND ITS ENVIRONMENT (XL)

    Images from the Galería G. de D. Fotos Tobias Bülow.
    The gaze is never only objective vision, it is creation, revelation, it is invention, for that reason there are infinite ways of seeing and the consequences that the particularity of contemplation entails. (Carlos Alcorta)
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  58. 58. VISIT FROM STUDENTS FROM THE ART SCHOOL MANOLO BLAHNIK

    At the Galería García de Diego we welcomed a group of students from the art school Escuela de Arte Manolo Blahnik. A visit with future creatives looking for new and diverse perspectives on modern art, aesthetics and current artistic content.
    Such a nice visit!
    Artwork by Matías Sánchez26864349_337995760022261_3169545122664677376_n27573994_852061345000793_4768624011754078208_n

  59. 59. THE WORK AND ITS ENVIRONMENT (XXXIX)

    Artist: Pedro Fausto. Oil on canvas 101 x 66 cm.
    His works reveal simplicity and sensitivity of the natural environment… it’s the stamp that identifies his work.
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  60. 60. SCULPTURE AND ENVIRONMENT

    Work: “El Nudo” (“The Knot”) 62 x 25 x 23 Corten Steel
    Author: Pereda de Castro; a great abstract expressionist in iron and steel.
    Fotos: Tobias Bülow and Ana Brígida

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  61. 61. THE WORK AND ITS ENVIRONMENT (XXXVIII)

    A painter with a star reputation. Art by Matías Sánchez.
    Photo: Tobias Bülow (multidisciplinary artist: musician, photographer…)
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  62. 62. THE WORK AND ITS ENVIRONMENT (XXXVII)

    Modern landscape but without forgetting to assign him into the landscape themed art tradition of La Palma and the Canary Islands.

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  63. 63. THE WORK AND ITS ENVIRONMENT (XXXVI)

    A sculpted patio, as well as two of its designs on corten steel, are for the gallery, a gift that is currently part of the private collection.
    Design: Ana Brígida
    Photo: Tobias Bülow (multidisciplinary artist: musician, photographer…)
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  64. 64. THE WORK AND ITS ENVIRONMENT (XXXV)

    Chromatic starkness marked by the use of black and white; the black evokes sismic landscapes with great expressive poder; the white suggests the wind, the sea, the light, the soundtrack…
    Artist: Ildefonso Aguilar
     
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  65. 65. THE WORK AND ITS ENVIRONMENT (XXXIV)

    Author: Hugo Pitti
    His artwork is very subjective, therefore the artist’s own image often appears in his work, identifying himself with his themes.
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  66. 66. THE WORK AND ITS ENVIRONMENT (XXXIII)

    Piece of large dimensions. Author Matias Sánchez. Far from focusing on the subject, his discourse is always pictorial. He doesn’t look for the characters. It is the characters who look for him.
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  67. 67. THE WORK AND ITS ENVIRONMENT (XXXII)

    A few kilos of iron produces enough aesthetic basis to sustain a visual, energetic work, clean and lasting over time.
    Sculpture by ErwinHeckmann
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  68. 68. THE WORK AND ITS ENVIRONMENT (XXXI)

    The passage of time…. alien spaces lived or not lived by others contemporary and familiar spaces contemplated fron the transience of life.
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  69. 69. SPACE IN BALANCE

    An equilibrated space where art, originality and exclusivity coexist.

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  70. 70. THE WORK AND ITS ENVIRONMENT (XXX)

    Trends, emotion and ecology. Some works integrated in harmony with people and nature.

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  71. 71. THE WORK AND ITS ENVIRONMENT (XXIX)

    Emotional environment in harmony with nature. Photographic work by Ildefonso Aguilar.

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  72. 72. THE WORK AND ITS ENVIRONMENT (XXVIII)

    The calm dark gray of the landscape, the intense solar clarity and the landscape arrangement of the elements; they make the work a peaceful place that invites you to enjoy a harmonic vision. Work of Ildefonso Aguilar.

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  73. 73. ILDEFONSO AGUILAR

    This exhibition could be described as extraordinary and interesting for various reasons, but without a doubt the most important is the very high visual level.

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  74. 74. CHRISTMAS

    The García de Diego Gallery and its artists wish you Happy Holidays!.
    Artwork: Hugo Pitti

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  75. 75. CREATION

    Ana Brígida. Oil on canvas.
    “The creation thought from the outside towards the interior”.

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  76. 76. THE WORK AND ITS ENVIRONMENT (XXVII)

    Ildefonso Aguilar. Very varied blacks, infinity as a base, folds and clarity come together.

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  77. 77. THE WORK AND ITS ENVIRONMENT (XXVI)

    Ildefonso Aguilar. Under a professional practice of seriousness and authenticity, the gallery has the greatest names in art, so it provides authentic values. This makes us sure of the mission of mediator between the creative artist and society.

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  78. 78. THE WORK AND ITS ENVIRONMENT (XXV)

    Ildefonso Aguilar. Deserts and Malpaíses. Material enrichment of the pictorial surface.

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  79. 79. THE WORK AND ITS ENVIRONMENT (XXIV)

    Yesterday, our friend Susanne Aernecke, entertained us with her words presenting her book “Tochter des Brachenbaums”. An interesting and enjoyable novel.

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  80. 80. THE WORK AND ITS ENVIRONMENT (XXIII)

    This Sunday we will do our first cultural activity in the gallery. Presentation of the third book by Susanne Aernecke. Our patio waiting for your visit, with benches designed by Ana Brígida.

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  81. 81. THE WORK AND ITS ENVIRONMENT (XXII)

    The works of Matías Sánchez are full of elements, full of sparkling characters, paradises, hells… His way of painting is masterly!

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  82. 82. THE WORK AND ITS ENVIRONMENT (XXI)

    A mode of expression close to the integrating experience of nature.

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  83. 83. THE WORK AND ITS ENVIRONMENT (XX)

    The color gives movement, perspective and light to the work. Images that continue and penetrate other planes. Ildefonso Aguilar. Photograph in Glicée print.

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  84. 84. THE WORK AND ITS ENVIRONMENT (XIX)

    Ildefonso Aguilar. In his paintings there are fine lines that challenge the tension caused by silence, emptiness but not the absence of space and volume.

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  85. 85. INSPIRATION

    Only the essential. Extremely simple arrangement. Give life to the invisible. Purpose inspiration in movement.

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  86. 86. THE WORK AND ITS ENVIRONMENT (XVIII)

    Infinite elements float in a black, powerful and perfect chasm. From that base structure and metaphorically suggesting a rational and spiritual thought, Ildefonso Aguilar creates a new experience of the order of things, surprising and beyond the apparent nature.

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  87. 87. ILDEFONSO AGUILAR

    Encounter of friends with Ildefonso Aguilar at his inauguration last Saturday. From here our thanks to all for the warm welcome.

  88. 88. EXHIBITION “POSSIBLE LANDSCAPES”

    The García de Diego Gallery is pleased to invite you to the inauguration of the exhibition of the artist Ildefonso Aguilar, which will open tomorrow, November 11, at 8:00 p.m. Free entry.

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  89. 89. THE WORK AND ITS ENVIRONMENT (XVII)

    Square monochromatic works to reflect on essential questions about truth in art. The role of the artist in society and the relationship between art and life.

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  90. 90. PAISAJES POSIBLES

    The García de Diego Gallery is pleased to invite you to the inauguration of the exhibition by the artist Ildefonso Aguilar, which will open this Saturday, November 11, at 8:00 p.m.

    Ildefonso Aguilar de la Rúa was born in 1945 in Salamanca and lives in Lanzarote. Multidisciplinary artist linked to the landscape and nature of Lanzarote, the island where he has always lived. With the title “Paisajes Posibles” the García de Diego Gallery exhibits its pictorial and photographic work in a propitious space, which invites the introspection of each one.

    You can visit the exhibition until January 31, 2018. Free admission.

    Schedule:
    > From Monday to Saturday, from 11 am to 2 pm and from 6 pm to 9:30 pm.
    > Sundays, from 2pm to 6pm.
    ➤ www.galeriagarciadediego.com

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  91. 91. THE WORK AND ITS ENVIRONMENT (XVI)

    Tribute to the island.

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  92. 92. THE WORK AND ITS ENVIRONMENT (XV)

    When something starts moving, something flows.

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  93. 93. THE WORK AND ITS ENVIRONMENT (XIV)

    In every work, what is sought is harmony, if only between what the artist experienced and his means to express it.
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  94. 94. THE WORK AND ITS ENVIRONMENT (XIII)

    Isolation, silence and contemplation; some fundamental aspects of the gallery.

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  95. 95. THE WORK AND ITS ENVIRONMENT (XII)

    Place in a horizon in extinction.

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  96. 96. THE WORK AND ITS ENVIRONMENT (XI)

    Colorful of the 21st century.
    Work: Ana Brígida.
    Title: “Manzana” (Oil)

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  97. 97. THE WORK AND ITS ENVIRONMENT (X)

    The art enters the scene.

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  98. 98. THE WORK AND ITS ENVIRONMENT (IX)

    Place, hobbies and tastes unite people.

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  99. 99. THE WORK AND ITS ENVIRONMENT (VIII)

    Memory of the lived sculpture.

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  100. 100. THE WORK AND ITS ENVIRONMENT (VII)

    A space, flooded with freshness, has a zen air marked by the design of Pereda de Castro.

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  101. 101. THE WORK AND ITS ENVIRONMENT (VI)

    Discover the secrets and multiple readings that an image can hide. Work of Pedro Fausto.

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  102. 102. THE WORK AND ITS ENVIRONMENT (V)

    Installation that contributes to create a temporary environment of great serenity.

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  103. 103. LIFE AND ART

    Grateful moments in which life invades art. Visit of the Colegio Sagrada Familia Nazaret, 3rd year of ESO.

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  104. 104. THE WORK AND ITS ENVIRONMENT (IV)

    Modern spaces personalized with life.

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  105. 105. THE WORK AND ITS ENVIRONMENT (III)

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  106. 106. THE WORK AND ITS ENVIRONMENT (II)

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  107. 107. THE WORK AND ITS ENVIRONMENT (I)

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  108. 108. VISIT

    Grateful visit of the students of 4º of the ESO of the Sagrada Familia Nazaret School of Los Llanos de Aridane last 22 of September, accompanied by the art teacher and the director of the center. A walk through the gallery where we find art, we discover works, tendencies, names and inspirations.

    Colegio nazaretFoto visita colegio Nazaret 4º ESO 22 SeptFoto2 visita colegio Nazaret 4º ESO 22 Sept

  109. 109. THE GALLERY

    In this magnificent gallery, the public will find a set of almost one hundred works of different artists made in different techniques (oil, relief, sculpture).

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  110. 110. PEDRO FAUSTO

    Learning, research, presentation. He took risks and reaped the successes of those who work for an art worthy of life.

  111. 111. CRISTÓBAL DORTA PHOTOGRAPHER

    Visits the gallery and shows corners of our patio through its objective. Some of her photographs can be found on the walls of Carmen Asensio.

  112. 112. HUGO PITTI

    Questo creatore modifica gli stampi senza riparazioni. Non è più una questione di cambiare forma, ma di rovesciare la sua struttura.

  113. 113. EMOTIONS

    Dark energy used to create beauty. Large formats, figurative fragmentation are a representation of internal emotions.

  114. 114. CÉSAR RODRÍGUEZ

    Moments of leisure in which the force of attraction of these environments transmits sensory, gustatory, olfactory and tactile experiences.

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  115. 115. HUGO PITTI

    One of the spaces of the García de Diego Gallery, dedicated to the masterpiece of Hugo Pitti (Part One).

  116. 116. PEREDA DE CASTRO

    Space of the García de Diego Gallery with the magnificent sculptural work of Pereda de Castro.

  117. 117. ERWIN HECKMANN

    Yard of the Galería García de Diego with works by the artist Erwin Heckmann.

  118. 118. FEELINGS

    Serenity and sweetness are the feelings conveyed by this work by painter Ana Brígida.

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  119. 119. PEDRO FAUSTO

    Enigmas that escape from the margins of the canvases and infect, for once, the whole building.

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  120. 120. HUGO PITTI

    Do not you see that this sea that comes out of my mouth has its beach in you, even if it does not touch a grain of your lit sand?

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  121. 121. MATÍAS SÁNCHEZ

    Their expressive images (dolls) do not attend fashions and that is what makes them truly fascinating.

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  122. 122. SECOND YEAR

    Yesterday, the first day of the second year. Thanks to those who have shared our desires, which are dialogue with art.

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  123. 123. 1 YEAR OF ART

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  124. 124. FIRST YEAR

    From Friday the 18th of August, the Galería García de Diego offers a collective exhibition during the summer month, where we will find all the artists gathered that have been part of the first year of the gallery.

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  125. 125. HUGO PITTI

    He narrates through his paintings, his fantastic and endless ideas to not leave us indifferent. Works with great expressiveness and creativity.

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  126. 126. SCULPTURE

    In a particular and original way, it develops its expressive form in the service of aesthetic enjoyment.

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  127. 127. HELMUT KIESEWETTER

    Marvelous photographic exhibition of the artist Helmut Kiesewetter in his gallery.

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  128. 128. MINIMALISM

    Erwin Heckmann
    “Diesen Vogel Gibt Es Nicht” – “This bird does not exist”.
    Amazing minimalist work, fun and attractive.

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  129. 129. CORNERS

    We have spaces where you can appreciate works in all corners. In this courtyard work by Erwin Heckmann.

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  130. 130. DAZWISCHEN GESIEBTE LUFT

    Sculpture “Dazwischen Gesiebte Luft” by Erwin Heckmann. A fundamental sculpture in our collection, an innovative assembly and an experience for sight.

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  131. 131. SCULPTURE

    Erwin Heckmann’s work entitled “Babylon”. Very unique iron sculpture of the author.

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  132. 132. NUDO

    Work by PEREDA DE CASTRO in Galería García de Diego, titled “Nudo” with steel corten as material.

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  133. 133. HUGO PITTI

    “Banquet in the temple of the city of Deshnoke”. Oil on table 610×180 cm. Exhibition Foundation headquarters of Caja Canarias. Wonderful the work of Hugo Pitti accompanied by other artists of the stature of César Manrique, Óscar Domínguez, Pedro González… We remind you that in the Galería García de Diego there are works in exhibition of our dear Hugo Pitti.

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  134. 134. SCULPTURES

    This flow of metal has become one of the symbols of the Gallery. To host the art of this century with its peculiar vision of the artistic universe is the framework of the entrepreneurial aspiration of its director.

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  135. 135. GARCÍA DE DIEGO GALLERY

    At the beginning of the last century, the serious colonial style was imposed as a timeless canon. A good example is the aesthetic that dominates the central part of the Gallery. The house and its contents do not leave anyone indifferent.

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  136. 136. PROJECTS

    In this short period of activity, the García de Diego Gallery has committed itself to projects that are committed to styles, forms and concepts, reflecting on issues that affect society and its form in a global way (expressing thoughts, feelings).

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  137. 137. THE GALLERY

    García De Diego Gallery began its activity in 2016, since then it has opted for the most current art. It has a generous and suggestive exhibition space divided into two levels and two areas which has facilitated that most of the programming consisted of projects designed specifically for the latter.

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  138. 138. MARÍA ALEGNA

    Oil on canvas 65 x 54 cm by HUGO PITTI. Theme of the work: Historical genre.

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  139. 139. DISH AND PEACHES

    Oil on canvas 65 x 100 cm by Pedro Fausto. A sober work accentuated by the simplicity of space.

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  140. 140. CON ESTILO MAGAZINE

    García de Diego Gallery thanks the Con Estilo Magazine for its very good and generous creative practices and remind them that the works of the painter César Rodríguez are in the Galería García de Diego, Los Llanos de Aridane.

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  141. 141. MONTAÑEROS

    Work of MATÍAS SÁNCHEZ
    Oil on canvas 73 x 92 cm.
    A new way of constructing artistic language with new reason and sense of the work … where the autonomy of color grows and grows.

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  142. 142. ISLAND

    Oil on canvas 200 x 200 cm by MATÍAS SÁNCHEZ.
    Visions of the island, where we realize that life and art are united.

    ISLA. 2016. Óleo sobre tela. 200 x 200 cm

  143. 143. WORKS OF MATÍAS SÁNCHEZ

    A position that proposes to change the look instead of changing things.

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  144. 144. MATÍAS SÁNCHEZ

    “Autumn”
    Oil on canvas 33 x 24 cm.
    The peace that transmits this work is indescribable. There is a sustained sobriety between the past and the present.

    OTOÑO. 2016. Óleo sobre tela. 33 x 24 cm

  145. 145. ANA BRÍGIDA

    Oil on canvas 47 x 62 cm.
    The landscape, an irreplaceable corner where life was manifested. A soft affection that awakens his contemplation.

    Paisaje 47 x 62 cm

  146. 146. SPACE

    Composition sculpture and mural (both of HUGO PITTI) integrated, humanizing space.

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  147. 147. FUSION & LIFE

    Fusion between works of author (PEREDA DE CASTRO) and patio with nature, for the “relaxed enjoyment of life”.

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  148. 148. MATÍAS SÁNCHEZ

    Oil on canvas 33 x 24 cm each
    “Jardín” – “El Pensador”
    “Lechuza” – “Caribe”

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  149. 149. CROW

    Matías Sánchez
    Oil on canvas 33 x 24 cm

    CUERVO. 2017. Óleo sobre tela. 33 x 24 cm

  150. 150. CÉSAR RODRÍGUEZ

    Acrylic on canvas 200 x 200 cm.
    It reflects the blackness of the night with the essential elements of the form and the effects that the luminosity projects or reflects on them. Work belonging to the exhibition “Dialogues Perimeter” with the theme Gin Tonic.

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  151. 151. MATÍAS SÁNCHEZ

    ¡VE PELANDO PAPA!
    Oil on canvas 130 x 162 cm

    ¡VE PELANDO PAPA!. 2012. Óleo sobre tela. 130 x 162 cm

  152. 152. IRON

    Erwin Heckmann. The works become a singular poetic, justifying the austerity, the balance and the concentration.

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  153. 153. MATÍAS SÁNCHEZ

    Detail of the work entitled “Sunday morning”.
    Oil on canvas – 97 x 130 cm.

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  154. 154. PHOTOGRAPHY

    Inauguration of Photography by Pablo Espantaleón. Avenida 17, Tazacorte. With friends and art fans.

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  155. 155. THE GALLERY

    An environment fueled by knowledge, emotions and uses related to nature.

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  156. 156. NOTEPAD

    Matías Sánchez.
    Oil on canvas.
    97 x 130 cm.

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  157. 157. THE GOOD ARTIST

    Matías Sánchez, those who know him say of him that he is “good people” inherent condition to the “good artist”, who, at times, has felt misunderstood. He oblivious, these and other vanaglorias responds as a teacher, as he best knows that is “painting”, he “only cares about painting.”

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  158. 158. CONCEPTS

    Matías Sánchez, his pictorial concept is part of expressionism, a movement of German origin that aims to expose the pessimistic side of life, existential anguish in the midst of a materialized, technified or industrialized society.

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  159. 159. CHARACTERS

    Matías Sánchez, his characters represent the great theater of the human condition; these apparitions of singular beings, unusual, joyful,…

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  160. 160. COLOUR

    It is an honor for Galería García de Diego to count, from the simplicity of its walls and until next July 20, with the colour, exuberance and presence of Matías Sánchez.

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  161. 161. TRACES

    Matías Sánchez surprises us with a series of works with a firm, short and determined layout and the presence of elements that determine and characterize our archipelago “island, mountain, mountain, banana …”

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  162. 162. MATÍAS SÁNCHEZ

    We present some photos of the exhibition and inauguration of the painter Matías Sánchez. One of his works reminds us of the next Transvulcania, that from here we wish luck to all.

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  163. 163. INAUGURATION EXHIBITION MATÍAS SÁNCHEZ

    Moments of the inauguration of the exhibition “ARCHIPIÉLAGO” of the artist Matías Sánchez. The exhibition can be visited until July 21.

  164. 164. ARCHIPIÉLAGO

    García de Diego Gallery is pleased to invite you to the inauguration of the exhibition of the artist MATÍAS SÁNCHEZ that will open this Friday, May 5, at 9:00 pm.

    Matías Sánchez was forged as a painter in Seville, where he lives. He is endorsed by multiple individual exhibitions, both national and international. Through a brushstroke, loaded with matter (oil), direct, dynamic, free, pure, expressionist, Sanchez establishes a language proper to his personal experience. The need to create, leads you to seek protagonists anywhere. The themes are variable but certain icons are repeated with symbolic value. The exhibition can be visited until July 21, 2017. Free admission.

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  165. 165. REFLECTION

    A moment of reflection (Carmen and Ana B.). Sensitize the value of the conversation, ancient and contemporary. There are sculptural and artistic proposals that are well located in the public space, however others are not integrated in the environment and this is an important aspect to consider. The Garafía project, after knowing the location, I think it does not respect the place or the environment.
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  166. 166. ANGELS

    “I am afraid that I will always depend on the angels, always waiting for one of them to come to me to protect me or to comfort me, only they know of my moments of desperate sadness”.
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  167. 167. POLYCHROME CERAMICS

    A part of the great sculpture entitled “Does not my pain afflict you?”. Everything in it is intensity, singular artist and magnificent.
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  168. 168. THE PROCESSION

    In the fupper part, Hugo Pitti’s work of 135 m2 in the Royal Street of Los Llanos de Aridane, testifying the religious culture of the city, a theme dear to the artist.
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  169. 169. SCULPTURE

    Detail of the sculpture (noria) of Hugo Pitti that takes by title “In that the poet remembers” (Arturo Maccanti) based on THE RETURNS OF THE LIFE.
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  170. 170. TWO CREATORS PALMEROS

    Upper part César Rodríguez, lower Pedro Fausto. An opportunity to visit two personal and professional authors. Compositions of lines, shapes, colors and silhouettes.

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  171. 171. JANE SEYMOUR

    Pitti personalizes his works by means of his unique style, own, modern, very spontaneous and original.

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  172. 172. COMPOSITIONS

    Sculptures by PEREDA DE CASTRO. A composition based on abstract signs, serene surfaces and signs that draw the viewer into the work.

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  173. 173. MEDITATIVE CONTEMPLATION

    Landscape & Nature, Oil on Canvas 47 x 62 cm.

    Almendros

  174. 174. DISCOVERING GOYA

    Adam and Eve (diptych). Oil on board 161 x 61 cm.
    “It is art, and only art, that reveals ourselves.”
    (O. Wilde)

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  175. 175. HUGO PITTI

    Thanks to Hugo Pitti for his visit to the Gallery this week, where he delighted us with his artistic knowledge.

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  176. 176. ILDEFONSO AGUILAR

    Exhibition at TEA by Ildefonso Aguilar.
    It focuses on the elaboration of an integrative, unitary work, which mana of the vertigo of its “Sound Landscapes” title of the exhibition. Soon we will have his presence in the Galería García de Diego.

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  177. 177. AQUELARRE

    Hugo Pitti – Aquelarre, diptych. Oil on board 244 x 81 cm. Discovering Goya: reinterprets characters of great masters of painting.

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  178. 178. DIPTYCH HUGO PITTI

    A detail of the diptych (391×131 cm, oil on canvas), a passage “of how the Virgin redeems Eloisa”

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  179. 179. RELIGIOUS PAINTING

    Hugo Pitti with full skill executes religious painting and does it from a sincere vision, offering new airs to some genres that seemed destined to be forgotten.

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  180. 180. PEDRO FAUSTO – LEMON

    Oil on canvas 33 x 22 cm.
    One of the most characteristic aspects of his painting is the treatment of light with its different graduations of contrasted color touches.

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  181. 181. EULALIA BEATRICE

    Hugo Pitti mixes different influences and styles to create something new with his own personality.

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  182. 182. ANNE BOLEYN

    Hugo Pitti portrays Anne Boleyn, Queen Consort of Henry VIII, considered the most influential and important that England has ever had.

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  183. 183. MURAL 1, 2006 – ALBERT OEHLEN

    Los Llanos de Aridane once again has the work of the international German artist Albert Oehlen, installed in Calle Real 29 building in the historic center of the city. A work valued between 4 and 6 million euros. It shows a chaotic view of the world, an upside-down approach. Veladuras, fogs, transparencies, try to hide a story; Avoiding any obvious meaning, but always offering their point of view.

  184. 184. VISIONS

    Pitti reflects one of his particular “visions” representing a theme, in this case a poem by Maccanti (entitled “Before the eyes of a girl”) that intrigues him while fascinating him. They are scenes with both real and fantastic characters from the world of the subconscious.

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  185. 185. HUGO PITTI

    We continue with the work of Hugo Pitti, part of his inspiration is based on the lives of the wives of Henry VIII.

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  186. 186. ALBERT OEHLEN

    One of the greatest contemporary artists; Has traveled the best museums and galleries in the world for some time. For reasons it has been on the island of La Palma and has left us a magnificent masterpiece (mural no. 1, 2006) that after a time collection for its restoration, this week will again be in the Museum On the Street of Los Llanos de Aridane, located in Calle Real 27.

    Our most sincere thanks for your donation, where your generosity and attitude has surprised us and we hope that after this magnificent result (a work of great dimensions 38 m2); Los Llanos de Aridane welcomes and values it as its author deserves, confirming his intense professionalism.

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  187. 187. PEDRO FAUSTO

    The characters of Pedro Fausto move or suspend in solitary settings and without fixed temporal reference. An innocent work, tender and subtle.

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  188. 188. A NEW SPACE

    For the Gallery it is a source of satisfaction to present Erwin Heckmann and Hugo Pitti in La Palma and offer the general public a new space for aesthetic emotion, knowledge and dialogue.

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  189. 189. VISIT

    Visit of IES Tijarafe to the Gallery, this one proposes an approach of the different perspectives: sculpture, painting, facilities … to the young people with the object of enjoying the works.

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  190. 190. PEREDA DE CASTRO & HUGO PITTI

    In the image is a sculpture of steel cut from Pereda de Castro and a religious pictorial work by Hugo Pitti.

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  191. 191. DIALOGUE

    This type of association (painting and sculpture) clings to an idea or attitude in the visual experience of the curator towards the viewer, to generate a dialogue, sometimes even poetic.

    Pedro Fausto _ Erwin Heckmann

  192. 192. LANDSCAPE

    For us it is a pleasure to present the exhibition “Landscape”. This exhibition will be open two months and will undoubtedly leave a mark on the artistic history of the locality, showing that culture is one of the main powers of our time; All associated with the fascination for the natural and cultural environment.

    Ana Brígida _ Pereda de Castro

  193. 193. FINAL HEAVEN

    Sculpture representing a poem by Arturo Maccanti, “Final Heaven”.
    This sculpture is formed by two scenes in which the same story unfolds; One is placed in an open box by the two fronts suspended from the ceiling, while the other is inserted freely on a base.

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  194. 194. PEDRO FAUSTO

    Art must delight and/or teach.

    Pedro Fausto is the set of his accomplishments. None of their activities can be separated from one another, nor these from their own life, nor from their surroundings; The same personality and the same conditions make up his work. A product at the service of aesthetic enjoyment in solidarity with the “habitat” even transforming in its beauty more beautiful way of life.

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  195. 195. QUEENS

    A part of the work of Hugo Pitti is dedicated to the wives of Henry VIII. In the image on the right you can see Catherine Howard and left Catalina de Aragón, both in their very Pittian style.

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  196. 196. INSTANT FUGACES

    Passive moments capable of disturbing or delighting. Situations, common environments, essential in the work of the palmero César Rodríguez.

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  197. 197. SCULPTURES OF ERWIN HECKMANN

    “You must treat a work of art as if it were a great man, stand in front of it and wait patiently until it deigns to speak to you.”
    Ad Reinhardt
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  198. 198. ICONOGRAPHIC REPRESENTATIONS

    Hugo Pitti introduces these representations in his work, in situations and recognizable moments, in moments not lacking in everyday realities. We are faced with an emotional passage, made by living realism and rich chromaticism, with expressive gestures.
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  199. 199. COLORS

    “Hugo Pitti’s palette is the very canvas in which he mixes the colors, the pigment tubes are his basic instruments of work, which allows a great speed of execution.”
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  200. 200. POETIC BOXES

    This sculptural work “De Cárceles Oscuras” is the result of the personal interpretation of Hugo Pitti on the poems of the anthology of the poet Arturo Maccanti.
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